Serefiye Mosque Serefiye Mosque is a historical complex located to the south of the city center, consisting of a mosque, madrasa, kitchen, and tomb. It was commissioned by Serefhan IV and completed in the year 1529, as confirmed by the inscription found on the structure. Built using precisely cut stone blocks, the Serefiye Mosque is notable for its five-part narthex and a prayer hall (harim) designed in a transverse rectangular layout. The northern entrance doors, positioned at both corners of the front façade, provide access to the harim. The mosque's interior features a domed ceiling and is divided into three transverse naves, enhancing its architectural uniqueness. Serefiye Mosque features a central dome positioned in front of the mihrab, connecting with four surrounding naves on all sides except one. On the qibla side, the first nave is supported by domes at each corner, while barrel vaults stretch between them. The second nave, which is broader, spans a larger area and includes barrel vaults set at varying heights. The third nave is also covered with barrel vaults, although only two sections are domed from corner to corner. Located in the southern part of the city center, the Serefiye Mosque complex was constructed in 1529 by Serefhan IV. This historical site includes several components: a mosque, a madrasa, a kitchen, and a tomb. Crafted with finely cut stone, the mosque features a five-part narthex and a rectangular prayer area (harim) composed of three transverse naves. The dome in front of the mihrab is slightly rounded on the interior and constructed of bricks, resting on a tall cylindrical drum that appears flat on the outside. Both the main roof and the last congregation area are designed as flat roofs. The mihrab has a rectangular form with a semicircular interior plan and includes Arabic calligraphy at the top that reads "Kavsara" and "ma'kil". The doors are simple rectangular shapes, decorated at two corners with half-rose motifs. Rich floral patterns adorn the shaft and capital of the columns, as well as the lintel. A pointed arch on the eastern wall showcases intricate openwork geometric motifs. Smooth-cut stone forms the piers, arches, and walls, while the ceilings and floors are plastered. Wooden coverings now conceal parts of the main walls. The niche of the mihrab is topped with a hemispherical plaster dome, and the wooden pulpit—though not original—is intricately carved with various religious and geometric motifs. For further information or questions, feel free to reach out to us via email at [email protected] or simply contact us on WhatsApp. We’ll be happy to assist you as soon as possible.